On Monday 13 September, Adam Parrish came to play the Monthly Monday Organ Recital.
The organ was unfortunately not working properly when Adam Parrish was practicing - some keys were sticking badly. Fortunately the ever resourceful musician carries a spare piano recital in his back pocket (all his music is on a tablet computer) so the piano was wheeled out for a piano recital instead.
Adam dedicated the first piece to Lesley, with thanks for all her hard work with co-ordinating all these events in the church.
Morning is Broken - instrumental version of Cat Stevens recording from the 1970s, once played by Rick Wakeman (whom Adam knows).
A couple of jazz pieces next:
Cry me a river (Arthur Hamilton in 1953) Georgia on my mind (Hoagy Carmichael and Stuart Gorrell in 1930, famously sung by Ray Charles in 1960).
Handel’s Arrival of the Queen of Sheba - Adam had taken the version used for a duet with his piano teacher. He dedicated it to his teacher, who sadly died this summer, for all the support in his lessons.
2 pieces Adam had arranged together:
Gustav Lange Blumenlied (Flower Song) then into John Lennon’s Strawberry fields.
The next piece was traditional jazz, Adam's version of Sweet Georgia Brown, a 1925 song by composers Ben Bernie and Maceo Pinkard (lyrics by Kenneth Casey)
Next was a piece from Gershwin’s Porgy and Bess: Summertime
After that piece Adam commented "What a lovely piano this is to play in a lovely building.
Sonata in D minor opus 31 no 2 first movement by Beethoven, was one of his favourite Beethoven pieces (known later as “The Tempest”).
Pirates of Penzance Overture (1879) - William Schwenck Gilbert and Arthur Sullivan (arr Adam Parrish during the pandemic as an experiment to discover what G&S would work on the organ but heard today on the piano.
His encore was a little piece by Rick Wakeman from his 6 wives of Henry the 8 album, first time he played this was on the organ at St Giles Cripplegate. Adam’s version of Rick Wakemans ‘Jane Seymour’.
What could have been a disaster for Adam and the audience with the organ action problems turned into a little gem of a Monday lunchtime concert, thank you Adam for the unexpected piano instead of organ recital.
Words and photos by Anna Page





